“An intelligent, resource-saving combination of façade lighting meets functional and aesthetic requirements, creates new urban spaces and lends a unique quality to architecture at night. Prince-Elector Carl Theodor acknowledged the merits of façade lighting when Duesseldorf drew up a lighting master plan to mark his visit to the town in 1742. The DUS-Illuminated Civic Foundation is now tapping into this master plan in order to create added value for the town of Duesseldorf thanks to its nocturnal illuminations.”
Dr. Ing. Edmund Spohr
Architect | Edmund Spohr architecture firm
Growing by numbers 2011, Milan | IT
Mirage Shopping Center, Žilina | SK
Dr. Thomas Posch
International Dark Sky Association
“Only a few lighting designers exploit the possibility of providing aesthetically elegant, resource-saving lighting that costs relatively little. Poorly planned façade lighting is becoming an increasingly serious problem that affects the aesthetic appearance of nocturnal landscapes as well as creatures that are active at night, such as insects and migrating birds. Large portions of the deployed light often miss the façade in question and the luminance levels used are often considerably higher than necessary.”
Emporio, Hamburg | DE
Spar supermarket, Fussach | AT
Stefan Hofmann
Lighting designer | Lichtwerke
“The revolutionary development of LEDs has opened up fresh design approaches for façade lighting. The controllability of the brightness and light colour of LED light sources, together with their diverse optical characteristics, are making innovative technical lighting solutions possible. For example, façade lighting can be realised from inside a building thanks to the compact dimensions of LEDs. Rather than flooding façades with light, it is now possible to integrate light sources into the architecture. Finally, the low energy consumption of LED light sources chimes with the widely discussed topic of how to save energy.”
James Turrell
Lighting artist
“Light is intangible, but real – it can only be seen when it is emitted or reflected by an object. Light itself has a spatial aspect and fills space. The visibility of light is bound up in an object which itself only becomes visible thanks to the light that impinges on it. Tactility and visibility are linked together in a bewildering way, so that the medium of vision itself remains largely invisible, usually functioning like an extension of the sense of sight, the eye – like a sense of touch operating at a distance.”
Dipl.-Ing. Lighting-Design Sylwia Schafranietz
Lighting designer | co:licht, Berlin
“Media façades provide an opportunity to underscore the existing identity of a town and its unique appearance as well as to project it effectively and consistently. Innovative media façades, used as an element that reflects identity, reference a place and the people who live there – thereby making it stand out from the crowd. The lighting designer’s task is to critically integrate this sensitive interrelationship into a lighting concept. Operators, inhabitants and the town itself will reap equal benefit from this in the long term.”
Downlights
Downlights/uplights
Special-effect
luminaires
Dornier Museum
Galleria Centercity
Bauarena
Nordwesthaus Rohner
| Owner: | Dornier Stiftung für Luft- und Raumfahrt, Munich/D |
| Architect: | Allmann Sattler Wappner Architekten, Munich/D |
| Lighting design: | Belzner Holmes, Heidelberg/D |
| Lighting technology: | Nelzner Holmes, Heidelberg/D |
| Electrical consultants: | Raible + Partner, Reutlingen/D |
In the museum, visitors enter a bright, welcoming foyer. TECTON continuous rows and Vivo pendant luminaires make for a pleasant atmosphere. From the spacious entrance area with cafeteria and shop, visitors get into the museum box above, which illustrates the history of the Dornier company and the milestones of aviation in eleven rooms. Model airplanes, drawings and other historical exhibits are highlighted in glass display cabinets by means of batten luminaires and compact LED spots. The lighting design makes do without any windows, structuring the exhibition rooms in relatively bright and relatively dark zones that provide for variety on a tour through the museum, highlighting certain exhibits. The hangar contains the heart of the museum: a large hall with historical airplanes, many of them veritable curiosities. Slotlight luminaires with a special louvre ensure uniform illumination without undesired shadows.
To highlight the exterior facade during the night, James Turrell has created a lighting work of art bringing visitors' perception to new dimensions with its harmonious colour sequence. Thanks to innovative 16-bit control, the luminaires’ colour space was extended to several million colours, providing nearly unlimited freedom in lighting composition.
| Owner: | Galleria Centercity, Cheonan/KR |
| Architect: | UNStudio, Amsterdam/NL; GANSAM Architects & Partners, Seoul/KR |
| Lighting design: | Wilfried Kramb, ag Licht, Bonn/D, Antonius Quodt, LightLife, Köln/D |
| Lighting technology: | DMX-Steuerung: Andreas Barthelmes, Lightlife, Berlin/D |
| Electrical installations: | B2, Seoul/KR |
| Photos: | Kim Yong-kwan |
12,399 of the 22,000 luminaires used are 3.6 W RGB luminaires, while the remaining units (approximately 10,000) are 1.2 W white luminaires. This wide-area indirect pixel concept guarantees extremely high efficiency in relation to the surface area to be illuminated as well as harmonious luminance levels.
Zumtobel created this unique lighting installation in cooperation with renowned Bonn lighting design firm ag Licht and the prestigious Amsterdam architecture firm UNStudio.
Computer-based animations developed by UNStudio were also integrated into the lighting design. The installed DMX control system ensures individual programming of individual LED spots and paints animations on the surface of the building accurately in every detail.
Galleria Centercity is a striking example of how façades can become interactive elements of the urban landscape and the way in which urban spaces can be shaped by light – without this indirect, glare-free light causing any nuisance in adjacent areas of the town.
| Owner: | Allreal Generalunternehmung AG, Zurich/CH |
| Architect: | Nüesch & Partner Architekten, Volketswil/CH |
| Lighting design: | Linda Bohorc, HEFTI. HESS. MARTIGNONI. Zürich AG, Zurich/CH |
| Electrical consultants: | R+B engineering ag, Sargans/CH |
| Electrical installations: | Elektro Compagnoni AG, Zurich/CH |
At night, 100 LED light lines create a vibrant luminous shell for the Bauarena in Volketswil, Switzerland, with red colour sequences matched perfectly to the Bauarena’s logo. This unique lighting installation by Zumtobel has turned the building into an eye-catcher, demonstrating the importance of sophisticated façade illumination in order to attract people’s attention and enhance a company’s image. If required, the intelligent control system allows to create up to 15 different lighting scenes.
Some 100 window-height Hilio LED light lines with variable colours, with an output of 100 W each, were installed on the four façade faces of the huge building. Matching the red Bauarena logo, they shine at varying intensity levels during the night. A frosted linear tube was used for manufacturing the light lines, in order to achieve a perfect colour mix and to avoid individual LED light points becoming perceptible. The integrated cooling attachments made of aluminium section ensure appropriate cooling of the LED modules. A DMX system, which can be controlled via the building’s technical system, provides exciting brightness changes of the individual LED light lines.
| Owner: | Hafen Rohner GmbH & Co.KG, Fussach/AT |
| Architect: | Baumschlager Eberle, Lochau/AT |
| Lighting design: | Baumschlager Eberle, Lochau/AT |
In the evening the Nordwesthaus is a real eye-catcher. Dynamic colour sequences bring the unique building façade to life, creating a wide variety of displays within the basic architectural elements. When the building is bathed in greenish blue light it takes on the appearance of reeds that are being swayed in a gentle night-time breeze over the lake. Yellow and red shades give the building a fiery glow so the Nordwest¬haus becomes the fourth element along¬side water, earth and air. Slow changes of colour in cool white tones are mirrored in the lake to produce fascinating reflections of infinite variety. Go inside the multi-func¬tional building and the effect is just as cap¬tivating. The lighting scenes draw people in and give the entire space a pleasant atmosphere without being intrusive.
Zumtobel has created an easy-to-use solution for this project that shows the wide range of design options that LED technology can provide. The 125 LED spotlights developed in cooperation with Baumschlager Eberle specifically for this project are cleverly arranged in the façade of the building to produce optimum lighting. The 12 integrated RGB LEDs per luminaire offer an immense spectrum of more than 16 million colours. This means that the colour of the lighting can change subtly from one shade to the next through the entire colour spectrum. The compact luminaires are fitted with asymmetrical optics to ensure that the amoeba-like voids in the concrete walls are fully illuminated. The optics spread the light wide in the voids in the walls and also focus it to the sides in the room and also to the outside. This means that there is very little scattered light inside the building, which in turn helps create a pleasant atmosphere and ensures that people are not disturbed by the built-in spotlights. DMX control enables dynamic lighting sequences to be created. It is these sequences that are helping to turn the building into a sightseeing attraction.
30 recessed Zumtobel downlights installed into the ceiling, using low-voltage halogen lamps, complete the unique lighting ensemble of the Nordwesthaus' interior. Thanks to their discreet design the downlights blend seamlessly into the building's architectural design concept. Their smooth accents underline the fascinating spatial impact.