

Emporio Tower
Rookery Building
ARoS Kunstmuseum: "Your rainbow panorama"
HARPA Reykjavik
Dornier Museum
Galleria Centercity
Bauarena
Nordwesthaus Rohner| Owner: | Union Investment Real Estate GmbH, Hamburg |
| Architect: | HPP Architects, Dusseldorf |
| Lighting design: | Schlotfeldt Licht, Hamburg |
For both these projects, the new building and the refurbished one, the clients opted for sustainable materials and a highly energy efficient design. For example, timber was selected from certified ecological sources, and the design makes maximum use of sunlight as a natural source of energy. The heating, cooling, ventilation and lighting systems are individually controllable. Low energy consumption, a modern building management system and an optimised room climate are clear benefits for both tenants and the environment. The sustainable air conditioning and energy concept reduces operating costs for cooling and heating by up to 64 %, which means that CO2 emissions are reduced by approx. 1,600 annually.
LED lighting for the façade: maximum effect with minimum energy consumption
Zumtobel’s innovative LED lighting technology forms the basis for lighting effects that are both impressive and sustainable. With three different radiation angles, the PAN LED luminaire fitted in the window reveals meets the lighting requirements of the heritage-protected façade. By means of a variety of optics and shutters, light is directed selectively onto the areas to be illuminated. This avoids stray light and the associated light pollution – and the more than 5,000 luminaires installed in the Emporio façade consume no more than 1980 W in total. Each light source can be individually dimmed and controlled, which means that the intensity levels and switch-on times can be selected individually.
Zumtobel. The Light.
| Owner: | OC Mirage, Žilina (SK) |
| Architect: | Michal Diviš Architekti s.r.o., Žilina (SK) |
| Electrical consultants: | Marsy, spo. s.r.o., Banska Bystrica (SK) |
| Electrical installations: | Hard - Soft Technologies, s.r.o, Žilina (SK) |
| General Contractor: | Ing. George Trabelssie |
With this 22,000 m² shopping centre, which is named “Žilina’s new heart”, the architect has managed to create a fascinating mix of traditional and contemporary architecture. The shopping centre is essentially composed of a circular structure with adjoining rectangular building parts.
In close collaboration with the architect, state-of-the-art luminaires and lighting control systems have been installed to provide maximum convenience and a feel-good atmosphere in passageways, lounge areas and restaurants. In the individual areas, light has been used for varying purposes: providing a brilliant interplay of colours, soft ambient lighting or visual guidance. For the core of the façade, an unusual special LED solution was developed, which reveals itself only when darkness falls. Then, some 2000 LED spots create a magically luminous shell around the entrance. Via DMX control, each compact LED spotlight can be controlled separately.
The interior lighting system features energy-efficient luminaires with daylight-based control and high lighting quality. Uniform ambient lighting in the large hall is provided by downlights. Light lines guide customers through the passageways. For the general illumination of corridors and passageways, the Cielos modular lighting system has been installed: clusters of 2 x 2 luminaires in intermediate light colour create a superior feel-good ambience as well as a seemingly airy ceiling.
In addition to PANOS INFINITY LED downlights, which cannot fail to impress on account of their excellent lighting quality and colour rendering, the Supersystem LED lighting system has been installed. By integrating them into the LUXMATE Professional lighting management system, individual luminaires or luminaires arranged in various groups can be switched on/off or dimmed as required to optimise the quantity of light and thus energy consumption. Even the state-of-the art LED emergency lighting system is controlled and monitored by the intelligent system.
Zumtobel. The Light.
| Owner: | Buck Management Group, LLC, Chicago (US) |
| Architect: | Burnham & Root, Chicago (US) |
| Lighting design: | Office for Visual Interaction, Inc. (OVI), New York (US) |
| Electrical installations: | Rex Electric & Technologies, LLC, Chicago (US) |
Back in 1890, the 11 storeys of The Rookery made it the tallest building in the world. Today, the building is still considered to be a forerunner of modern skyscrapers. The unique and fascinating architecture of the interior design by Frank Lloyd Wright and the stucco-decorated façade are certainly worth a visit. Thanks to the façade lighting, designed by OVI, a lighting design office based in New York, and realised by Zumtobel, the building is now also a special feature in the cityscape at night.
Custom luminaires manufactured specially for the project accentuate the fine stucco work of the façade. This involved an adaptation of the optics: the typical rotationally symmetric light cone of LED point light sources is flattened and elliptical in the custom solution. Thanks to special fixtures, the light sources are invisible from the street, and the historic façade remains intact. The Rookery by night has become a breathtaking symbol of timelessness and a new highlight of Chicago’s financial district.
In the context of the World Architecture News Awards 2012, the façade illumination of the Rookery Building in Chicago won the first prize as the best lighting solution. The ROOK custom design has been incorporated into the standard product portfolio and is now available as ELEVO LED spotlight.
Zumtobel. The Light.
| Owner: | ARoS Kustmuseum, Aarhus (DK) |
| Architect: | Studio Olafur Eliasson, Berlin (DE) |
| Lighting design: | Studio Olafur Eliasson |
| Electrical consultants: | NIRAS, Aarhus (DK) |
| Electrical installations: | Risskov Installatoer Forretning A/S, Risskov (DK) |
Zumtobel. The Light.
| Architect: | Henning Larsen Architects, Kopenhagen (DK) |
| Lighting design: | Studio Olafur Eliasson, Berlin (DE) |
The new Harpa Concert Hall rises up like a giant cut crystal in front of the jagged coast of Reykjavik harbour. The honeycomb elements of the façade make up a dazzling sea of multicoloured highlights. Refl ections on the water surface reinforce the association with a natural phenomenon, calling to mind mysterious northern lights. The sparkling Concert Hall and Conference Centre that now adorns the cosmopolitan capital of Iceland was designed by Henning Larsen Architects in cooperation with the Danish-Icelandic artist Olafur Eliasson, who was responsible for the characteristic appearance of the outer envelope. The area in front of the building is bathed in mystical blue light emanating from hidden sources of light, transmitted inside the building through glass fi elds. Olafur Eliasson and Zumtobel developed a special new type of luminaire, the shape and colour of which permits almost invisible integration in the prism structure of the façade, lighting it up with LEDs. Inside the crystalline outer envelope, visitors can expect to experience music in a new dimension. The large three-tiered concert hall with a blazing red interior is named after one of Iceland’s most beautiful volcanoes “Eldborg”, meaning “Fire Castle”.
Zumtobel. The Light.
| Owner: | Dornier Stiftung für Luft- und Raumfahrt, Munich (DE) |
| Architect: | Allmann Sattler Wappner Architekten, Munich (DE) |
| Lighting design: | Belzner Holmes, Heidelberg (DE) |
| Lighting technology: | Nelzner Holmes, Heidelberg (DE) |
| Electrical consultants: | Raible + Partner, Reutlingen (DE) |
In the museum, visitors enter a bright, welcoming foyer. TECTON continuous rows and Vivo pendant luminaires make for a pleasant atmosphere. From the spacious entrance area with cafeteria and shop, visitors get into the museum box above, which illustrates the history of the Dornier company and the milestones of aviation in eleven rooms. Model airplanes, drawings and other historical exhibits are highlighted in glass display cabinets by means of batten luminaires and compact LED spots. The lighting design makes do without any windows, structuring the exhibition rooms in relatively bright and relatively dark zones that provide for variety on a tour through the museum, highlighting certain exhibits. The hangar contains the heart of the museum: a large hall with historical airplanes, many of them veritable curiosities. Slotlight luminaires with a special louvre ensure uniform illumination without undesired shadows.
To highlight the exterior facade during the night, James Turrell has created a lighting work of art bringing visitors' perception to new dimensions with its harmonious colour sequence. Thanks to innovative 16-bit control, the luminaires’ colour space was extended to several million colours, providing nearly unlimited freedom in lighting composition.
Zumtobel. The Light.
| Owner: | Galleria Centercity, Cheonan (KR) |
| Architect: | UNStudio, Amsterdam (NL); GANSAM Architects & Partners, Seoul (KR) |
| Lighting design: | Wilfried Kramb, ag Licht, Bonn (DE); Antonius Quodt, LightLife, Köln (DE) |
| Lighting technology: | DMX-Steuerung: Andreas Barthelmes, Lightlife, Berlin (DE) |
| Electrical installations: | B2, Seoul (KR) |
| Photos: | Kim Yong-kwan |
12,399 of the 22,000 luminaires used are 3.6 W RGB luminaires, while the remaining units (approximately 10,000) are 1.2 W white luminaires. This wide-area indirect pixel concept guarantees extremely high efficiency in relation to the surface area to be illuminated as well as harmonious luminance levels. Zumtobel created this unique lighting installation in cooperation with renowned Bonn lighting design firm ag Licht and the prestigious Amsterdam architecture firm UNStudio.
Computer-based animations developed by UNStudio were also integrated into the lighting design. The installed DMX control system ensures individual programming of individual LED spots and paints animations on the surface of the building accurately in every detail.
Galleria Centercity is a striking example of how façades can become interactive elements of the urban landscape and the way in which urban spaces can be shaped by light – without this indirect, glare-free light causing any nuisance in adjacent areas of the town.
Zumtobel. The Light.
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“Our goal for illuminating the façade was to use this extremely large surface in a way that the overall impression of the building at night would be similar to the impression created by day. What we wanted to achieve was for our lighting design to reflect the façade’s multilayeredness and the interplay of overlapping sections. So we came up with the basic idea of projecting the light from the façade sections onto the inner layer of the building, which we were finally able to implement to optimum effect in collaboration with Zumtobel.” |
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"The most interesting thing about the effect of the Galleria Cheonan is that, because of the organisation of the atrium and the moiré treatment of the facade, Illusions are created which result in the seeming alteration of scales and the creation of double images. No image is permanent in this building." |
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| Owner: | Allreal Generalunternehmung AG, Zurich (CH) |
| Architect: | Nüesch & Partner Architekten, Volketswil (CH) |
| Lighting design: | Linda Bohorc, HEFTI. HESS. MARTIGNONI. Zürich AG, Zurich (CH) |
| Electrical consultants: | R+B engineering ag, Sargans (CH) |
| Electrical installations: | Elektro Compagnoni AG, Zurich (CH) |
At night, 100 LED light lines create a vibrant luminous shell for the Bauarena in Volketswil, Switzerland, with red colour sequences matched perfectly to the Bauarena’s logo. This unique lighting installation by Zumtobel has turned the building into an eye-catcher, demonstrating the importance of sophisticated façade illumination in order to attract people’s attention and enhance a company’s image. If required, the intelligent control system allows to create up to 15 different lighting scenes.
Some 100 window-height HILIO LED light lines with variable colours, with an output of 39 W each, were installed on the four façade faces of the huge building. Matching the red Bauarena logo, they shine at varying intensity levels during the night. A frosted linear tube was used for manufacturing the light lines, in order to achieve a perfect colour mix and to avoid individual LED light points becoming perceptible. A DMX system, which can be controlled via the building’s technical system, provides exciting brightness changes of the individual LED light lines.
Zumtobel. The Light.
| Owner: | Hafen Rohner GmbH & Co.KG, Fussach (AT) |
| Architect: | Baumschlager Eberle, Lochau (AT) |
| Lighting design: | Baumschlager Eberle, Lochau (AT) |
In the evening the Nordwesthaus is a real eyecatcher. Dynamic colour sequences bring the unique building façade to life, creating a wide variety of displays within the basic architectural elements. When the building is bathed in greenish blue light it takes on the appearance of reeds that are being swayed in a gentle night-time breeze over the lake. Yellow and red shades give the building a fiery glow so the Nordwesthaus becomes the fourth element alongside water, earth and air. Slow changes of colour in cool white tones are mirrored in the lake to produce fascinating reflections of infinite variety. Go inside the multi-functional building and the effect is just as captivating. The lighting scenes draw people in and give the entire space a pleasant atmosphere without being intrusive.
Zumtobel has created an easy-to-use solution for this project that shows the wide range of design options that LED technology can provide. The 125 LED spotlights developed in cooperation with Baumschlager Eberle specifically for this project are cleverly arranged in the façade of the building to produce optimum lighting. The 12 integrated RGB LEDs per luminaire offer an immense spectrum of more than 16 million colours. This means that the colour of the lighting can change subtly from one shade to the next through the entire colour spectrum. The compact luminaires are fitted with asymmetrical optics to ensure that the amoeba-like voids in the concrete walls are fully illuminated. The optics spread the light wide in the voids in the walls and also focus it to the sides in the room and also to the outside. This means that there is very little scattered light inside the building, which in turn helps create a pleasant atmosphere and ensures that people are not disturbed by the built-in spotlights. DMX control enables dynamic lighting sequences to be created. It is these sequences that are helping to turn the building into a sightseeing attraction.
30 recessed Zumtobel downlights installed into the ceiling, using low-voltage halogen lamps, complete the unique lighting ensemble of the Nordwesthaus' interior. Thanks to their discreet design the downlights blend seamlessly into the building's architectural design concept. Their smooth accents underline the fascinating spatial impact.
Zumtobel. The Light.
